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"There weren't any particularly deep conversations about the direction the record should take, because the music basically spoke for itself, and although they were largely Sting's songs, the other guys definitely put their imprint on the sound. "On the previous album, Sting's demos had provided a fair idea as to what he wanted, and so my production work really amounted to getting a cohesive sound," recalls Padgham. Personal and creative tensions characterised the Synchronicity recording sessions at George Martin's AIR Montserrat facility in the Caribbean, and after these exploded during the subsequent concert tour, the trio took a sabbatical that turned out to be permanent. apart from Sting, Andy Summers and Stewart Copeland themselves. Nothing, it appeared, could stop the world's most popular rock outfit. The concurrent single, 'Every Breath You Take', sat atop the US chart for eight weeks and the UK chart for a month. Their fifth long-player entered the UK chart at number one and soon climbed to the same position in America, where it would remain for 17 weeks. The Police were at the height of their powers in 1983. The Police album, Ghost In The Machine, spawned such hits as 'Spirits In The Material World', 'Invisible Sun' and, most notably, 'Every Little Thing She Does Is Magic', and the band teamed up with Padgham once again a couple of years later to produce the blockbuster Synchronicity.
Yet the three members were unable to play in the same room without a fight breaking out, so the recording sessions proved tough going for engineer and co-producer Hugh Padgham.įollowing his engineering work on records by Phil Collins, Peter Gabriel, Yes and XTC, Hugh Padgham assumed production roles in 1981 for Collins, Genesis and the Police, en route to becoming the most acclaimed and sought-after producer of the decade. The Police's final studio album was a technical as well as an artistic tour de force, and yielded one of their most memorable hit singles. Left to right: Andy Summers, Sting and Stewart Copeland. The Police (in happier times) at the Neve console in AIR Studios, Montserrat.